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Critical Analysis of “The Time Machine” by HG Wells

Friday, October 5th, 2007

Let me start the essay by saying I believe H.G. Wells is one of the most intelligent writers of his time: a true futurist. I think the theme of this book would be more on the like lines of thinking about something before u do it. The time traveler should have thought things threw and taken precautions for everything that could possibly go wrong, or right for that matter. If he had done this, I am sure he would have had a camera, matches (to fight of the Morlocks), cigars (he constantly wants them through out the story) and of course, his machine wouldn’t have been captured by the Morlocks.The main characters in the time machine where the Time Traveler himself, Weena (an Eloi who The Time Traveler rescued) the Eloi was a race and the Morlocks was a race. Weena was by far the most interesting of the characters. She was an Eloi who was drowning while trying to bathe in a river. The Time Traveler quickly jumped into the river and rescued her. She then started following The Time Traveler everywhere on his expeditions. He to gained knowledge from Weena about the Morlocks and the Eloi’s. The Time Traveler obviously was an intelligent man, I mean he figured out a way to travel through time! He was also a very rich, charming and friendly man, a little too anxious and curious though. His anxiety made him go to another time unprepared, nothing with him but a package of matches. The Morlocks are a race of our current day primates except ten times more ugly and they live underground. They are very aggressive but have a weakness, light. The Eloi’s on the other hand are very nice and gentle, and are scared of the dark (because that’s when the Morlocks come out). Did I forget to mention that the Morlocks are carnivorous so they occasionally much on Eloi’s! The Morlocks end up stealing the time machine, but only to lure the Time Traveler in so they could make a meal out of him.

Jazz vs. Classical Music

Friday, October 5th, 2007


Upon entering a modern record store, one is confronted with a wide variety of choices in recorded music. These choices not only include a multitude of artists, but also a wide diversity of music categories. These categories run the gamut from easy listening dance music to more complex art music. On the complex side of the scale are the categories known as Jazz and Classical music. Some of the most accomplished musicians of our time have devoted themselves to a lifelong study of Jazz or Classical music, and a few exceptional musicians have actually mastered both. A comparison of classical and Jazz music will yield some interesting results and could also lead to an appreciation of the abilities needed to perform or compose these kinds of music.
Let’s begin with a look at the histories of the two. The music called classical, found in stores and performed regularly by symphonies around the world, spans a length of time from 1600 up to the present. This time frame includes the Renaissance, Baroque, Classical, Romantic and Contemporary periods. The classical period of music actually spans a time from of 1750 to 1800; thus, the term Classical is a misnomer and could more correctly be changed to Western Art Music or European Art Music. European because most of the major composers up till the 20th century were European. Vivaldi was Italian, Bach was German, Mozart and Beethoven were Austrian; they are some of the more prominent composers. Not until the twentieth century with Gershwin and a few others do we find American composers writing this kind of art music. For the sake of convention, we can refer to Western Art Music as Classical music.

Greek and Roman Art

Saturday, April 21st, 2007

Art has changed a great deal since it began many centuries ago. Centuries, however, are not necessary to notice the small changes that are evident even between cultures of similar times. Such is the case with the Greeks and Romans. Both cultures had exquisite pieces of art, but they were very different from each other. The amazing thing about art is that no matter how many differences exist, it is still beautiful in its own sense. There are also a number of similarities that are evident with these two cultures as well, but the point that will be focused on is the differences that are found between Greek and Roman art. The pieces that will be focused on from the Greeks are Black-Figured Psykter and Red-Figured Kylix Depicting a Young Athelete, and from the Romans are Mummy Portrait of a Man and Mummy Portrait of a Young Woman.

Hieronymus Bosch

Saturday, April 21st, 2007

Bosch is one of the most popular and intriguing painters known to history - A true master of symbolism and genre painting… It’s obvious that he possessed extraordinary mind - rich in ideas, he created a world full of amazing creatures and fantastic characters. That’s what makes him different from other contemporary painters. For before Bosch neither of them ever tried to incorporate enigmatic, mysterious, characters.Theme of pain and sorrow deluge much of Busch’s works. It seems that hell and punishment was his beloved topic. But despite original and realistic expression of all those tournaments, he includes vast number of symbols. Actually this is what I like most about him – Rather then painting useless, serene Gothic images, he tracks down all the problems of his society and under the thick level of complex symbolism expresses them in a simple relationship of sin and punishment.

I think most important and interesting thing to discuss about Bosch are his motives… What was he really trying to tell us? And what factor caused him to paint those odd scenes? For sure there had to be some catalyst, which triggered his imagination towards drawing the flying fish, the monk with a rat head or even madman with tulip grown on his head.

Parthenon and Nike

Saturday, April 21st, 2007

Parthenon –

The most famous Doric temple is the Parthenon on the Acropolis. The temple was dedicated to the protector of Athens

When work began on the Parthenon in 447 BC, the Athenian Empire was at the height of its power. Work on the temple continued until 432; the Parthenon, then, represents the tangible and visible efflorescence of Athenian imperial power, unencumbered by the depradations of the Peloponnesian War. Likewise, it symbolizes the power and influence of the Athenian politician, Perikles, who championed its construction.

The Parthenon is a Doric peripteral temple, which means that it consists of a rectangular floor plan with a series of low steps on every side, and a colonnade (8 x 17) of Doric columns extending around the periphery of the entire structure. Each entrance has an additional six columns in front of it. The larger of the two interior rooms, the naos, housed the cult statue. The smaller room (the opisthodomos) was used as a treasury.

Nonwestern Music

Saturday, April 21st, 2007

The music of India is one of the oldest unbroken musical traditions in the world. It is said that the origins of this system go back to the Vedas (ancient scripts of the Hindus). Many different legends have grown up concerning the origins and development of Indian classical music. Such legends go a long way in showing the importance that music has in defining Indian culture.

However the advent of modern historical and cultural research has also given us a good perspective on the field. This has shown that Indian music has developed within a very complex interaction between different peoples of different races and cultures. It appears that the ethnic diversity of present day India has been there from the earliest of times.

The basis for Indian music is “sangeet”. Sangeet is a combination of three artforms: vocal music, instrumental music and dance. Although these three artforms, were originally derived from the single field of stagecraft, Today these three forms have differentiated into complex and highly refined individual artforms.

The present system of Indian music is based upon two important pillars: rag and tal. Rag is the melodic form while tal is the rhythmic.